Tuesday, 16 May 2017

Visualising the brand

Colour makes up a large portion of a visual identity, understanding the meaning behind colours and the affect it has on the individual's interpretation of the brand upon first glance is something important to consider. Given that the whole brand is centred around treating the mind well, part of that process is transferring yourself to calming, tranquil environments to allow your mind time to think (or not to think) without noise or distraction to relax through methods such as meditation or napping.


One colour that fits the bill of tranquility and calming is turquoise, it's combination of blue and green makes for a smooth, comforting colour. Turquoise also is believed to be an anti-inflammatory that also helps to enhance communication skills, and calm the mind and body. This makes it an ideal colour to consider for my brand.




Blue is another option as it invokes rest and can cause the body to produce chemicals that are calming and exude feelings of tranquility.





The colour purple has a variety of effects on the mind and body, including uplifting spirits and calming the mind and nerves.
The typeface(s) of the brand are another big important consideration as these often contribute to people's perception of a brand. For this, given my calm, simplistic brand values it makes sense to me to go for a simple sans serif typeface that evokes stillness.


Gotham




Helvetica




Circular





Noway




Semcon




Geomanist


Brandon Grotesque



All these typefaces are good options for what I aim to portray within the brand; a soft, clear, tranquil look that evokes stillness.


The brand name is something that I would typically struggle with when creating a brand, as it has to have some sort of meaning or concept behind it that may not always sound or look right. My initial idea for it was Pod; simple and to the point, whilst representing the fact that the product itself is essentially a pod. But after looking more in-depth into forms of isolation within the natural world, I found that both shells and cocoons both do create a barrier between the thing, be that an animal, insect etc. and the outside world.




Cocoon

The Concept

I chose to go with the name cocoon because of the connotation it has. The process of a caterpillar turning into a butterfly by going into the isolation of it's cocoon and changing during the process. This is in a way what I'm aiming to do with my product, for people to enter in one state (stressed) and exit in a better state (less stressed).


A rough look into how I was thinking of how to structure the type of the logo. Straight away I established that using capitals has the opposite effect of what I was aiming for, a calm, soothing look. I found that adjusting the kerning to create a more open space between each letter created a more drawn out, more distilled look, almost like ripples in water. I wanted to use a typeface that wasn't too narrow and instead was a more rounded look to match with the spherical shape of the chair.



I began to come up with a few rough sketches of my logo, that revolves around this soft, rounded look of the chair and also the shape of cocoon. The reason for the lines was to give the logo a spherical look, creating a more 3D appearance whilst also replicating the front view of the chair with the ribs of the pull over cover. This straight away will make the link between the physical look of the product and the brand creating an recognisable identity.


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